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February 26, 2008

WONDERCON 2008

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So another Wondercon has come and gone and I have one resounding opinion: Wondercon needs to be extended to four days.

For the two of you who have no idea what I am talking about, Wondercon is a convention held in San Francisco annually celebrating the comic-book industry and the popular culture it spawned. During the course of the weekend, my wife described it as a family affair. For us, it truly is. It's one of the greatest joys in my life to share my passions with my children and it was so great to watch them enjoy themselves walking through the oft crowded exhibition halls of Moscone Center.

So it came and there it went. I know I didn't get my fill so I definitely needed more time to absorb everything. Especially when attending panels. As tiring as walking the halls can be, it's so much fun, especially the kids clamoring to take as much pictures with every Superhero and oddities in costume that they bump into. Trinity was especially ecstatic, having taken pictures with Batman, Harley Quinn, Superman, and a couple of Storm Troopers. All in her Supergirl costume. Priceless.




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Goal for next year? My own table, selling my own, over-priced swag. I will BE Wondercon.

Better said than done. More later!

T

July 03, 2007

TRANSFORMERS: MORE THAN MEETS THE EFFIN' EYE!




I would like to preface this review by saying that I abhor Michael Bay movies after Bad Boys and The Rock. Air Con was barely tolerable. His continuous mix of stylized action scenes with implausible plotlines and situations is almost always insulting to anyone's intelligence.

With that said, he may have found his niche: Movies based on toys. In Transformers, Bay has managed to successfully mix his over the top slow-mo action sequences with state-of-the art ILM CGI resulting in the most enjoyable movie-going experience you will have all summer. You will believe a robot will transform into a Camaro!

Again, with all Michael Bay films, we get the signature film elements he is famous, or loathed, for. Or rather, a recycling of his movies if you pay close enough attention (360 camera rotation around a gunfight a-la Badboys 2, anyone?). And I was paying attention. But it all becomes very insignificant once overshadowed by seamless integration of digitally rendered transforming robots into very real urban and desert terrain. Prepare for your jaw to drop, the ultra detailed and towering Autobots doing battle to destroy the evil forces of the Decepticons raises the bar.

And the best part? They all maintain the spirit of your dads old toys! You will understand why someone over their thirties boast about how awesome their old 1984 Generation 1 figures and cartoons are. Trust me, well translated in the film. The proof happens about 40 action-filled minutes into the movie when you get the ultimate payoff, Optumus Prime appears, transforms and speaks for the first time as the whole theater explodes into blissful cheer. Appearance has been upgraded for a new generation but this is still your dads Prime. And it just keeps delivering from there.

In a nutshell, be a kid this 4th of July. Go watch Transformers. Go remember how much fun the movie-going experience can be. And let me know what you think!

November 26, 2006

Dave Cockrum Passes Away.



Fans of comics may be familiar with Dave Cockrum as the artist who brought us the "new" X-men from Giant-Sized X-Men #1. He was one of those artists that I remember looking at when I was younger, most notably an X-men cover he did with Cyclops and Havoc shooting each other with their blast powers. His rendition of the X-men, as well as the old Legion of Super Heroes will stick in my mind forever. I have to admit, Cockrum doesn't quite make it in my top ten, but I will never deny him of his great contribution to the industry. I mean, come on, you think Colossus, Storm, Nightcrawler and Wolverine are pretty cool too.

Rest in peace, Mr. Cockrum.

The following is an excerpt from todays Newsarama:

According to several sources, legendary X-Men and comic book artist Dave Cockrum passed away in his sleep last night, his death a result of diabetes and its resultant complications. He was 63 years old.

Cockrum, a fixture of the American Comics scene in the ‘70s was born in Oregon to a father who was a lieutenant colonel in the US Air Force. As a result, Cockrum traveled frequently as a child, which allowed comic books to provide some semblance of stability from city to city.

Following his father into the military, Cockrum served in the Navy for six years following high school, and then entered comics and publishing, first at Warren Publishing, and then as an assistant inker to Murphy Anderson at DC Comics. It was during this period that Cockrum’s art became known with the Legion of Super-Heroes, helping them to move from their Silver Age roots into a more modern look.

While his Legion work is widely known to Legion fans, Cockrum will forever be known as the artist who, with Len Wein, and later with Chris Claremont, created the new X-Men, and redefined both the existing characters and revitalized the world of the mutants and the franchise for Marvel. Cockrum had two major stints as artist on Uncanny X-Men, from Giant-Size X-Men #1 in 1975 through 1977, and then from 1981-1983.

Though he had worked less and less in comics in recent years, Cockrum had never left the hearts of his fans, as they rallied around him when it was announced in 2004 that he was seriously ill due to complications from diabetes and pneumonia. A benefit book and action was held, while Marvel Comics announced that it would pay Cockrum retroactively for his work in design and co-creation of the new X-Men.

According to Clifford Meth, a family friend of Dave and his wife, Patty, there is no information about a funeral service at this time. According to his wishes, Cockrum will be cremated, and those wishing to send messages to Patty are asked to e-mail them to: magnetorampant@yahoo.com rather than calling.

Newsarama extends its deepest condolences to Dave’s family and friends.

August 13, 2006

Photos from the Bomb City Premiere @ Locus Arts

Johnny was right. This was a much more different movie than its rough-cut version from 9 years ago. Definitely better than I expected. Truly progressive and embodying the independent spirit, even if it was filmed almost a decade before. Impressive.

The screening, held at Locus Arts new creative headquarters Space 180, was a huge success. Friends, family, colleagues, and total strangers alike embraced the movie. The bay area premiere screening of Black Eyed Peas' "Bebot" video, a visual celebration of FIlipino culture in 2 generational versions, was a special treat.

Here's a look at the evening:



Old friends Johanna and Rosa were among the many attendees.




More friends waiting with much anticipation.




Bomb City's "Henry": Chansada and wife.




Chansada, with diminutive fan.




Chansada, me, and Bomb City's "Gil", Frank.




An anxious audience.




More fans.




Bomb City writer and director, Johnny Cabaddu and friends.




Quiet! The movie's on!




Frank, producer Alan Arrivas and Chansada.




Very pleased fans of Bomb City.




The cast of the old Lit Lounge.




3 happy movie goers and the "bouncer".




My wife Amabelle and I hamming it up with close friends.




The incidental star of Bomb City, Alonzo "Foolio" Batte, center, embraces his happy fans!




Two strangers fully unaware a camera is pointed at them.




Director of the Black Eyed Peas video "Bebot", Patricio GInelsa. center, reunited with childhood friends.




Filmmaker Patricio Ginelsa enjoying the company of old friends.




Jen Navarro, left, with Amabelle.

June 27, 2006

SUPERMAN RETURNS...

WARNING: If you haven't seen the movie and really, really want to watch with a certain level of expectation, TURN AWAY NOW. But if you want an honest opinion about the movie, read on. But you have been warned.

Let's get this out of the way: Superman is probably MY favorite fictional character of all time. I am a comic book afficianado and have loved Superman since I was 3 so that's not just a popular answer for me. At the drop of a hat I can give you Supermans history, both straight and simple and unabridged yet convoluted. Fanboys know exactly what I'm talking about when I say that. So suffice it to say, I have been waiting for this movie for 2 decades. To me, this was to be the pinaccle of all super-hero movies.

Sadly, I'm still waiting.

Not only did this movie not meet my expectations, this was probably one of the worst movies I have ever seen. Very unfortunate for these were the same folks that gave us triumphant screen versions of Marvel's X-Men in 2 very successful movies. From reading interviews with director Bryan Singer, the intention to bring us an iconic Superman was there and means to bring him to the age of Matrix-esque special effects was no problem.

Somewhere along the line, this evolved into a disaster. I have no problems with movies running more than 2 hours. If you gave me Braveheart/Harry Potter/Lord of the Rings type pacing, I welcome it. Superman Returns was slow torture, where the gradeur of a special effects extravaganza was overshadowed awkward characterizations and redudantly drawn out scenes. Brandon Routh, for all the pressure of filling in big shoes, was okay. JUST okay. Which to me is already a failure. I didn't mind the costume so much, but he just failed to bring the polarized range that Christopher Reeve brought to both Superman and Clark Kent. And in the end, we are actually left with a character that to me is kind of a prick, considering the revelation he was presented with involving Lois and the child she reared during his 5 year absence.

The most distracting plot point to the movie is the introduction of Richard White, nephew to Daily Planet Editor-in-Chief Perry White and Lois Lanes fiancee. Handsome, brave, heroic, loyal and proud surrogate father to Lois' child. No, not the douchebag antagonist and rival to Clark. Perfectly played by Jason Marsden (Cyclops to Singer's X-men movies), he steals this movie as its hero from the actual movie's namesake. Shouldn't Superman emerge from the film as the ultimate hero?

But to me the greatest sin is failing to introduce Superman to a generation that would otherwise ignore his values and red and blue tights. This movie lacked the wonderment that befell me when Christopher Reeve first openned his shirt to reveal one of the the worlds most iconic symbols in "Superman the Movie". So many opportunities to wow where the display of digital magic failed. Instead, hundreds of millions of dollars are pumped into a mediocre episode of a TV show that completely ignores modern mythology, an episode I'd sooner forget.

This movie was heralded to be an epic as well as a tribute to it's big screen predecessors. At least the first two. Instead we get a poorly executed glorification of the Man of Steel, unnecessarily injected with aspects from the previous films and new concepts that served as hindrances to the Superman mythology. Not only is this a poor super-hero film, it was a bad film altogether.

To symplify it further: Remember when you thought Star Wars Episode 1 was going to be THE movie? It was THAT disappointing.

You want real Superman? GO pick up "Superman the Movie". The collected edtion DVDs of "Superman the Animated Series". Go to your local comic book store and pick up the first Superman comic you see.

Save your 10 bucks and watch Cars instead.

May 28, 2006

ALEX TOTH. REST IN PEACE.

Legendary artist Alex Toth passed away Saturday morning. Sitting at his drawing table.

To give you an idea of how great this man is, in addition to being a notable talent in the comic book industry, he created and designed many animated properties, most of which can be seen in wildly popular Hanna Barbera favorites in the 70's such as Space Ghost, Herculoids, and my personal favorite, Super Friends. He has left a shining legacy that inspire modern masters like Alex Ross and enjoyed by many, including my children.

He passed away at his drawing table. It doesn't get anymore touching and inspiring than that.

Rest in peace and thank you.

May 24, 2006

REVIEW OF X-MEN 3: THE LAST STAND

Can't Find a Better (x)Man
by Adam Messano - wellredpress.com


X-men: The Last Stand
Starring: Hugh Jackman, Halle Berry, Ian McKellen, Famke Janssen, Kelsey Grammer,
Anna Paquin, Rebecca Romijn, James Marsden, Shawn Ashmore, Aaron Stanford, Vinnie Jones, Ben Foster, Ellen Page and Patrick Stewart
Writers: Simon Kinberg & Zak Penn
Director: Brett Ratner

4 1/2 out of 5 stars

This doesn't live up to the hype. This beats the hype by a mile.

Huge kudos to director Brett Ratner, who took an outstanding script and played it "real" enough to match the first two films while at the same time injecting the high amount of superhero action that's been missing from the X franchise. Scene after scene examines a compelling subject... a "cure" for mutants... while at the same time providing almost too many goodies for comic book fans to keep up with; from the classic Phoenix storyline told in X-men film continuity to dialogue pulled from comic pages. Yes fans, "Oh my stars and garters" is in the final film. If you smile wide at that revelation, that's only the tip of the iceberg for what's in store to delight. If that line doesn't mean much, no worries, Ratner & Co. have you covered too.

Time and again as a comic fan I delighted in the little touches perceptible only if you know the books. But as a film fan I appreciated how the script tailored ideas and stories to fit what's been established in previous X-men movies. You see, this is where comic fans may stumble. Events occur here, huge events. As characters unleash power beyond any they've shown on film before, and manipulations are revealed too, the stakes go up as high as possible. Do events unfold this way in the comics? Nope, moments large and small are added or deleted or edited per what best fits the story. That's the stand to take here. Decisions were made for the benefit of the film franchise while being very aware of major comic influences. Scriptwriters Kinberg & Penn did a masterful job crafting a complicated tale that is mindful of film and comic fans yet still unique on its own merits. Of important note is how many great moments there are for characters, considering the density of faces appearing.

Wolverine is the star of course, and Hugh Jackman returns to form after approaching swaggering, macho self-parody in X-men United. This script is more balanced than that film, there are simply more characters to meet and experience, yet his is the arc we see the events through and Jackman is superb. Just as strong though is Halle Berry, in having both important, quality moments of dialogue, and awesome power displays too. This is the best it has been for Storm, easily. So too is Famke Janssen as a tortured Jean Grey. While not given many lines, the amazing ability she has to go back and forth within a sentence from vulnerable to threatening is subtle and therefore, all the more impressive. In movie continuity, Phoenix could not have been realized better in acting, story and effects.

The special effects are amazing, from computer generated images to sets, to costuming and extensive character makeup. What appears to be a significant budget shows on screen constantly. Do we get the perfect Sentinel? The ideal Danger Room? An awesome display of Colossus' strength? Probably not what the average comic fan has in mind, but when taken as a whole, this is the richest visual comic book experience perhaps ever. A significant number of mutant powers are pushed to their limits; from Magneto's staggering ability to manipulate metal on a huge scale, to an extremely satisfying sequence of Wolverine's berserk rage. It's a huge undertaking to show so much that hasn't been seen before and the attempts to do so with intelligence and quality are much more rewarding than disappointing. (Ok as a comic book fan I wished Colossus had more to do, but in the flow of the movie, I was ok with it.)

At its heart, this story is about loss and self-definition; and it's a strong story at that. Engaging from start to finish, it causes characters to argue and question their values / life paths. The reasons for doing so are more than what you've seen in movie trailers, as the film takes bold chances in character fate as well. If this is the last film in the franchise, they could not have gone out on a higher note. Apart from the main roles mentioned already, the supporting cast is as strong as ever. Shawn Ashmore and Aaron Stanford do fine work in a rewarding grudge match between the true "good guy" Iceman vs. the corrupted Pyro. Newcomer Ellen Page adds quite a bit of realism and believability for a younger team member & student as Kitty Pryde. Vinnie Jones' Juggernaut is comic relief sparingly, and devastatingly unleashed when required. Of course, Patrick Stewart and Ian McKellen personify their roles better than any actor could as Professor Xavier and Magneto. This script calls each to tap new sides of their well-rounded characters and they do so with grace and commanding presence. It's an exceptionally well cast film.

Excellent work by all here, and as is the duty of any good review, a friendly hint. 'stay till the end of the credits. You won't be disappointed.

Oh, and for the comic book fans out there, listen for the "Throw a strike" line during the climax. It's a perfect inter-character moment that I nearly missed, but will you have you cheering.